Solid Objectives: Order, Edge, Aura
nstability. It is illustrated with rarely seen images and punctuated with essays on the work of the firm SO–IL. Rather than a catalog of works, the book is a visual and textual manifesto towards progressive practice in an interconnected and global environment. As a collection of built and unbuilt projects, texts, processes, and experiments, it embodies an intellectual and artistic attitude that has gained this young office attention. Taking the form of a radical monograph, the book curates the firm’s content based on conceptual themes, allowing the reader to have a generous, multi-dimensional and immersive experience, similar to how one would experience SO–IL’s architecture.